Tower Poetry Society

Promoting poetry sine 1951

National Writing Day is coming! Wednesday 21 June 2023

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I came across this motivating day during COVID. I don’t think it matters that it is a UK celebration… any day is a wonderful day to celebrate creative writing in my books!!

Get ready to take part in the annual celebration of creative writing.

Grab your pens, pencils or laptops and make your voices heard. Anyone can take part in our annual celebration of writing for pleasure and self-expression — at home, school, work or wherever!

Use our free activities to inspire your creativity and share your writing online using #NationalWritingDay.

firststory.org.uk/writeday  | @writeday

I think I’m going to go ahead and try out the “Roll the Dice” activity!

Here are over 105 creative writing exercises by Imagine Forest to give your brain a workout and help those creative juices flow again… https://www.imagineforest.com/blog/creative-writing-exercises/

Feel free to share any creative outputs — or your favourite word-generating exercises — in our  TOWER POETRY FACEBOOK GROUP!!

POET: D. Le DOAN & TEXTILE ARTIST: BECKY MENZIES

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A DANCE OF POETRY & ART…

 

“Falling to Pieces” – Becky Menzies

 

 

 

 

 

 

 

 

POET: D. Le DOAN

Dinh Le Doan

About the Poet:

Dinh Le Doan is a Canadian residing in Beaconsfield, Québec. He has worked as an engineer and manager at a high-tech company in Montréal. He now devotes his time to writing poetry. His poems have appeared in Tower Poetry Publications, Montréal Serai, and Devour: Art & Lit Canada.

When did you start writing poetry?

I started writing poetry in 2006—but only after I had learned words and syntax from the novel “Brideshead Revisited” in 2005, and from literary books in the local library later.

Why do you write poetry?

I would like to quote the article by Halyna Koba in the Tower Poetry Newsletter dated January 2023…

WHY Dinh Le Doan WRITES POETRY

By Halyna Koba…

When Dinh Le Doan retired, his wife, Phung, suggested out of the blue that he is a poet. This was not the first time. While they were both students in Sydney, Australia, 33 years ago, Phung read a piece written in Vietnamese by Le (as he is usually addressed). She hadn’t known who had written it, since a pen name was used. She thought the writing carried feelings and sounded like poetry.

With her encouragement, Le, who had worked as an engineer in Sydney and Montreal, began writing poetry and was published by Tower Poetry. He commented, “That encouraged me a great deal to continue on this path.”

What is the best advice you have ever received and would share with new poets?

I can’t imagine any writing without reading, reading, reading.

Can you comment on your process?

Keep writing and a miracle will happen.

More Dinh Le Doan poems:

https://montrealserai.com/article-tags/dinh-le-doan/

My wife took this photo of Tower Poetry’s poets listening to the “Colours of Grey” poem, which was read by the author, at the 60th anniversary in 2011. I wish to share this photo as it may have special sentimental values to some.

(You can view more archived photos and content, here.)

 

 

TEXTILE ARTIST: BECKY MENZIES

Becky Menzies is a Canadian artist living in Thorndale, Ontario. Inspired at a young age by the artistry and academia of her mother, Becky’s relationship with creativity continues to this day as she explores her imaginative nature through various medium such as textile art, mobile (digital) art, fused glass art, and painting (En Plein Air).

Becky has recently begun to experiment with ways of incorporating two or more types of art medium and use vintage family photos to reflect her views of a reimagined world, often through her abstracted representations. Her art attempts to capture her responses to the environment and the people she meets along her life’s journey.

WHY DID YOU CHOOSE THAT POEM?

The title of D. Le Doan’s poem “Colours of Grey” initially suggested an image filled with various calming tones and textures of the colour grey. However, once I dove into the poem, I was swept up by the great movement and rich colours, beyond grey, that Le Doan incorporated into the poem.

My husband and I recently moved to a small rural town and into a home that has ready access to a creek and wooded area. During the winter seasons, I have been intrigued by how much of nature’s colours can actually be seen through the overwhelming amount of white and grey.

For me, Le Doan’s words seemed to capture this winter intrigue of mine, and I began to wonder whether I could capture the same in a piece of textile quilt art.

CAN YOU TELL US A BIT MORE ABOUT YOUR PROCESS FROM IDEA TO FINISHED WORK? WHY THOSE COLOURS AND SHAPES?

The initial part of the creative process included outdoor walks, taking photographs, some very loose sketching of possible ideas, and hunting for fabrics, trim, etc. that might work well together. The “hunting grounds” included my own collection of items, as well as thrift stores and fabric stores.

I had also just completed an online stitching course that included the use of fabric paints, mark-making and stitching to create a small abstract. Using some of the same techniques from the online course, I created small individual grey and white abstract-shaped pieces and used them in the background.

The leaves and flowers were cut out from two different fabrics and appliquéd to the piece. With more time and practice using fabric paints, I might consider in the future painting the leaf and flower images onto fabric myself.

The different layers used included batting, the individual stitched pieces, the leaf and flower appliqués, multiple layers of different tulle, and coloured stitching.

The entire piece was sewn together using free motion stitching.

Buttons were finally added for additional visual interest.

Close Up 1

Close-Up 2

WHAT WERE THE CHALLENGES? WHAT WAS EASY?

Creating for me is like riding a series waves. These waves undulate between “aha” moments during which a sense of ease flows for a while until a wave of “hmmm, that’s not working for me” arrives and off-project experiments begin which help me find the next “aha” moment.

Colours can become quite muted and dull when grey is added. The challenge was to create an image that attempted to show the impact of slow, wet snow on nature’s colours, as Le Doan described, without completely losing the colour and depth of nature’s shapes.

In terms of ease, I enjoy working in layers. I am also a mobile phone artist. In this medium, I use multiple layers of digital effects to create hidden backgrounds, or double exposures to manipulate the colours of an original photograph. Using a quilt art approach to create this piece, I was easily able to work with different layers to achieve the dimension and depth I was seeking.

Have you done this kind of project before? Would you do it again?

Not having done this kind of project before, I had to keep reminding myself that it was okay to create my interpretation of the poem as opposed to creating something that I thought the poet or others had imagined.  It was a very good creative exercise, and I would do it again.

Anything else you’d like to share?

I’d like to extend a huge thank you to the Tower Poetry Society and Lorraine Roy for supporting this artistic collaboration. Participating in the event was thoroughly enjoyable! I look forward to seeing the remainder of this year’s joint artistic submissions and participating in next year’s PoARTry event.

SIZE OF THE PIECE. HOW IS IT MOUNTED?  PRICE IF FOR SALE. WHERE IS IT AVAILABLE?

The completed piece, “Falling to Pieces,” was stretched onto a 16″ x 20″ canvas and secured into a 1/2″ floating frame. The piece is not currently available for sale.

More Becky Menzies…

Instagram: @polarexpress.0

Facebook: Becky Menzies

Recent mobile art piece using a family vintage wedding photo: “Flower Girls”

 

WE HOPE YOU HAVE ENJOYED THIS FIFTH DANCE OF POETRY AND VISUAL ART.

ARTISTS, there are poems still available to choose from and time to get in on the project… https://towerpoetry.ca/po-art-ry-poems/

POETS, stay tuned… we will open up submissions towards the end of 2023. As for what will happen with PoARTry, we don’t know.

This is an organic project, and we are thinking of a possible exhibit or publication. Who knows?! What we do know is that we have a lot of exciting work by talented poets and artists to share with you each month!

 

DID YOU KNOW?     YOU CAN POP OVER TO OUR TOWER POETRY FACEBOOK GROUP FOR DISCUSSION!

Tuesday, May 30, 2023 is National Creativity Day!

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Whilst we eagerly await the next edition of PoARTy, available this Saturday, let us celebrate CREATIVITY!

National Creativity Day

Unleash your inner artist and let creativity run wild! From painting to poetry, there’s no limit to what you can create. So, grab your brushes, pens, or whatever inspires you, and let the magic of imagination take over.

How to Celebrate? Read More: https://www.daysoftheyear.com/days/national-creativity-day/…

 

Here is a fun Poetry Prompt: Cut out headlines or phrases from magazines or newspapers to make a found poem. Bonus points if it is about creativity:)

And, another prompt: “Ode to ….” —> look http://DaysoftheYear.com for inspiration. E.g., World Otter Day (May 31st) inspired this nonsense wordplay:

The mother of the other otter ought to utter another mutter.

The bother of the utter that the other mother muttered might

be better left a letter to unpack.

She may let you pet her when she floats upon her back,

with her little button nose and teeny wiggly toes.

The otter (not the other) is the brother, who got her popcorn,

but her popcorn is unbuttered, what a bother!

(By Nicola Schneider)

 

I’d also like to take a moment to introduce your new Tower Poetry Society Executive Council for 2023/24:

President: Fran Figge
Past President: Jennifer Dunlop
Vice-President: Lisa Borkovich
Editor-in-Chief: G.W. Down
Secretary: Jenny Sorenson
Treasurer: Ed Woods
Website Coordinator: Nicola Schneider
Circulation Manager: Ed Woods
Counsellor at Large: Dean Sinclair

Thank you to the following past executive members for all your hard work: Gaiyle Connolly (past president), Trudi Down (past web coordinator, member-at-large, jumped in as Secretarty), Joanne Menchion, Susanne Noordyk; Thank you to our newsletter creator, Roy Adam; Thank you to my Artwalk Tour Guide Partner, Jim Tomkins; Thank you to Eleanor Krosydar & Gaiyle Connolly for your work with Artwalk; Thank you to Halyna Koba for getting word out about TPS; AND Thank you to all TPS members for writing poems, attending workshops & events, and submitting poems.

 

POET: MARIE SINCLAIR & STAINED GLASS ARTIST: TERESA SEATON

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A DANCE OF POETRY & ART…

“Feathers for the Fallen III” Teresa Seaton

POET: MARIE SINCLAIR

About the Poet:

I’m a part of a writing group through Keeping Six Hamilton, a harm reduction action league where I work. Come check it out sometime.

Also, Marie is an artist. Spoiler alert: You will see some of her art in September when she will be featured as an artist in PoARTry.

 

When did you start writing poetry?

I started writing poetry when I hit puberty. I was struggling with mental illness and teenage angst, and it naturally became a way to express myself and cope.

Why do you write poetry?

Things didn’t get better for a long time, but along the way Poetry became even more important to me because in my poems I had a voice, and I could share my experiences and feel heard. In 2019, I began my recovery journey — poetry and I, hand in hand.

What is the best advice you have ever received and would share with new poets?

Progress not perfect – a mantra I live by.

Can you comment on your process?

My poetry process has evolved over the years as I learned more about myself, and poetry. When I am really inspired, really moved the words just pour out of me. I find if I am too busy my creativity is smothered, and the inspiration doesn’t come, or if it does, there isn’t time for the words to follow it. Pausing, pacing myself and mindfulness are so important to my creative process.

 

STAINED GLASS ARTIST: TERESA SEATON

Check out Teresa’s Website: www.TeresaSeaton.ca

 

WHY DID YOU CHOOSE THAT POEM?

I am afraid my decision here wasn’t completely altruistic. I have an upcoming exhibition next Spring titled ‘Susurrations” in which I need to gear my current work towards. The exhibition speaks to my relationship to birds. However, I still wanted to participate in this worthwhile initiative and needed to find a poem that resonated with myself and the world of birds. Marie Sinclair’s Poem did just that.

CAN YOU TELL US A BIT MORE ABOUT YOUR PROCESS FROM IDEA TO FINISHED WORK? WHY THOSE COLOURS AND SHAPES?

I wanted the emphasis of the window to be inside the cage. Or in fact, inside the head of the birds in the cage. That is why the only real colour is the chaos of the feathers. For the rest of the window I chose texture and shapes but no colour per se.

WHAT WERE THE CHALLENGES? WHAT WAS EASY?

I saw the design of the window as soon as I read the poem. In fact, if I had any issues it was editing the design down to its essence.

Have you done this kind of project before? Would you do it again?

Yes I have and indeed, yes I would. I am a big supporter of artist collaborations.

Anything else you’d like to share?

Future Exhibitions…

Rose Window Exhibition
June 2023
Paul Elia Gallery Hamilton ON

Susurrations
Four artists interpret life with birds
Teresa Seaton, Mita Giacomini, Mary Philpott, D. Heather Moore
Spring 2024
Carnegie Gallery, Dundas ON

SIZE OF THE PIECE. HOW IS IT MOUNTED?  PRICE IF FOR SALE. WHERE IS IT AVAILABLE?

The piece is titled “Feathers for the Fallen III” part of an ongoing series that keeps coming back to this theme. I thought this piece fit into it nicely. The pieces in this series deal with humanity’s inherent nature to control or profit from their surroundings at the price of our avian species.

The art work is 14 x 27 inches and the cost is $915.00. It is available from myself but not until after the exhibition in the Spring of 2024.

Teresa Seaton Studio
755 Spring Gardens Rd., Burlington ON L7T 1J5
Studio open by appointment
Cell: (905) 510 5030
Email: teresa@teresaseaton.ca

 

WE HOPE YOU HAVE ENJOYED THIS FOURTH DANCE OF POETRY AND VISUAL ART.

ARTISTS, there are poems still available to choose from and time to get in on the project… https://towerpoetry.ca/po-art-ry-poems/

POETS, stay tuned… we will open up submissions towards the end of 2023. As for what will happen with PoARTry, we don’t know.

This is an organic project, and we are thinking of a possible exhibit or publication. Who knows?! What we do know is that we have a lot of exciting work by talented poets and artists to share with you each month!

 

DID YOU KNOW?     YOU CAN POP OVER TO OUR TOWER POETRY FACEBOOK GROUP FOR DISCUSSION!

Saturday, April 29 is Independent Book Store Day!

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Independent bookstores are struggling more and more with competition like Amazon or big chains like Indigo, so make a point to support your local shop.

Bookstores are places of connection and community, and this is the perfect day to celebrate Independent Bookstores!

Support an Independent Bookstore

There are hundreds of books to read, you just gotta pick one up and get reading. Support a local bookstore by heading over to one, browsing, and buying some books from there. And this isn’t the only day to buy from them, it’s a great idea to consider making purchases locally all the time!

For those who enjoy the atmosphere at a local bookstore, it might be a great idea to help volunteer for events at the bookstore and inspire others to become book-lovers as well!

Here are a bunch in the Hamilton area:

 

 

 

 

 

 

 

https://lmvhamilton.wixsite.com/lovebooks-hamilton

https://www.facebook.com/therivertradingcompany

https://www.facebook.com/100057140275176/timeline/?ref=page_internal (Books & Beats)

 

For more ideas to help you celebrate Independent Bookstore Day, check out: https://www.daysoftheyear.com/days/independent-bookstore-day/

 

Here is an online place to discover new Canadian authors and publishers: The Book Band. Check it out. The Book Band — it’s a great place to discover poetry, indeed!

Poem in my Pocket Day

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#NaPoWriMo is almost over. It doesn’t matter whether you will achieve 30 poems in 30 days, or you’ve just checked it out for the first time, or you now know of a fun resource to use if you ever want to get a month of motivation for writing poetry. I have managed to engage in poetry most days, by at least reading some of the poems that other people wrote inspired by the prompts at https://www.napowrimo.net/ or diving into the poetic resources shared throughout the month.

Today, Thursday, April 27, 2023 is Poem in My Pocket Day!

The League of Canadian Poets exists to support poets and poetry in Canada, just like we do at Tower Poetry Society Hamilton. Poem in Your Pocket Day is an international movement that encourages people to center poetry within their daily interactions. On PIYP Day, select a poem, carry it with you, and share it with others at schools, bookstores, libraries, parks, workplaces, coffee shops, street corners, and on social media using the hashtag #PocketPoem.

The site features a collection of poems to celebrate poetry in 2023. You can read them online, listen to an audio recording, or even print out a handy booklet to make sharing poems even easier! Check it out here: https://poets.ca/programs/pocketpoem/

The site includes links to French poems and many ways to celebrate. But really, any day can be Poem in Your Pocket Day!

Sing a Song about it with Emily Arrow: https://youtu.be/oxF0nB8ZzXQ

PS. PoARTry Dance #4 will be posted on Saturday, May 6!!

International Haiku Day & NaPoWriMo Mid-Month Check-in…

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Poetry everyday? Not quite. Poetry most days? Yes — sometimes editing or reading or teaching* or writing poetry. Or, attending a Tower Poetry Workshop!

My poems don’t usually come about in one sitting, unless they do, but that tends to be the exception to the rule. I often pull out old poems or ideas for a poem or even random jottings and try to rework or edit or merge some together. Whatever happens, happens. The goal of National Poetry Month is simply to enjoy poetry and share that joy with the whole wide world… read your favourite poems, share them and discuss them; write them, whatever floats your boat:)

The NaPoWriMo site is a great way to celebrate poetry month as each day it features a poet (so you can read and enjoy a fellow poet’s work), shares a resource (always useful), and offers a poetic prompt. while I don’t always have time day-to-day to write complete poems daily, I do save the prompts for those times when I’m stuck when trying to write.

** IF YOU FEEL LIKE SHARING YOUR HAIKUS, YOU CAN DO SO IN THE TPS FACEBOOK GROUP DIRECTLY, OR DROP A LINK TO YOUR PERSONAL POST. I, FOR EXAMPLE, OFTEN POST TO MY SITE: HTTPS://WWW.EVERYDAYARTEVERYDAY.COM/IBLOG.

Happy Writing, from the TPS Web Coordinator!

More Content, here…

Link to Haiku Day Blog — https://www.everydayarteveryday.com/iblog/monday-april-17-2023-is-international-haiku-day

Link to Funtastic Teacher Blog — https://funtasticteacher.weebly.com/blog—come-learn-with-me/teaching-poetry-to-middle-school-students-during-national-poetry-writing-month

 

 

POET: REBECCA CLIFFORD & MIXED MEDIA ARTIST: NICOLA SCHNEIDER

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A DANCE OF POETRY & ART…

“Fame is in the Song”

 

POET: REBECCA CLIFFORD

When did you start writing poetry?

I started stitch together words at an early age.  Fascinated by gems such as “Jabberwocky”, I sought to create words of my own.  Constance Metcalf, my high school English teacher encouraged me further, and I’ve never lost the itch to stitch words together.

Why do you write poetry?

I could give you an esoteric diatribe about instilling social justice, changing the world, righting a multitude of wrongs AND although I truly believe that words can affect all of these things, it will take better voices than mine to achieve such things.

What is the best advice you have ever received? 

I receive comments at the poetry workshops I attend, and pondering such remarks serves to make me a better writer.  (Like participating in a Tower Poetry Society workshop! More info here!) However, the best advice I’ve found is to read and absorb the works of others – not just poetry.  For me, I turn to P.K. Page, Marilyn Gear Pilling, Carol Shields, Alice Munro, John Steffler, Guy Gavriel Kay, Anne Simpson to list off the top of my noggin. And, I do tend to center my reading on Canadian poets.  There’s nothing wrong with trying to channel Bliss Carmen, Archie Lampman, or Wilfred Campbell, but finding one’s own voice is an ongoing journey.

What is the best advice you’ve followed?

That I create and write to please myself.  Changing a word or line you love because a more seasoned poet said it should be so, isn’t true if it doesn’t work for you.  Writing to please others can drive a writer into an early grave.

Can you comment on your process?

The creative work of others inspires me to write – art, music, dance, theatre, good oratory.  Silence, or the lack thereof, also provokes my creative juices.  Isolated thinking brings out thoughts on life, death, politics, social justice – the whole gamut.  I live rurally, and nature provides much fodder for the pencil.  And I do use a pencil… also the backs of envelopes, parking tickets, and grocery receipts.  I write words, snippets, phrases down wherever and whenever inspiration finds me. Examples are the way I feel hearing the coyotes howl, the wind race, cash registers singing in a supermarket, voices and smells at the market, at the bakery.  I’ve found that waiting till I have a notebook in hand means I’ll lose something vital.  And that drives me nuts.

 

 

 

MIXED-MEDIA ARTIST: NICOLA SCHNEIDER

 

I am on the executive council of Tower Poetry Society, as Web Coordinator, which is kind of strange because I know not much of web coordinating and am a mere novice at poetry, but as it were, and continues to be…

Check me out at:

EverydayArtEveryDay.com

WHY DID YOU CHOOSE THAT POEM?

In general, the subject matter immediately called to me. I have taken several photographs of dragonflies and thought I could use them in my piece. Further readings cemented my choice. Rebecca’s poetic language swirled around in my brain. I love to chill out in the summer by watching “dragonflies stitch the air, sketch lines of elegant directness.” Upon further study, the poem’s deeper meanings came through. The opening quote that  influenced the poet to write this poem, and the poem itself, features several musical references. I love the lyrical quality of the poem and aimed to show this in my piece.

The original quote from Hippocrates, “Life is short, art is long” meant… that it takes a lifetime to hone a craft, i.e., gain skills and knowledge, and that since life is short, many don’t reach a ‘fame’ status in a lifetime. Hence, in the past, folks tended not to gain fame until they were dead. That kind of sucks, so…

Here is my interpretation, which is a concept that I try to apply to my art: Enjoy the journey. “The success is in the silences.” If the process brings joy, then fame doesn’t matter. “Fame is fleeting” just as a dragonfly’s entire life cycle is “ephemeral.” Dragonflies don’t care (or even realize) how short their lives are. Even if your “song” or poem or art doesn’t get out into the world and appreciated – reach “fame” – you can still have success in the play and exploration; in the joy that the process brings.

CAN YOU TELL US A BIT MORE ABOUT YOUR PROCESS FROM IDEA TO FINISHED WORK? WHY THOSE COLOURS AND SHAPES?

My current practice is based on the stARTs process shared by New Zealand Intuitive Mixed Media Artist, Judy Woods. Artist Judy Woods – abstract art (judywoodsart.work). Previously, I’ve followed her process by not purposefully thinking of any sort of end goal. This time I thought I meditated on the poem throughout the entire process. I pulled out phrases that inspired imagery that I could use in my artwork (the sparks). Hence, the dance of poetry and art. Next, I recorded these key words and sketch pictures on my surface to guide the piece. This is the first underlayer to be covered up with many layers. “What happens in the underlayer stays in the underlayer.”

               

This is a summary of the process…

  • I work in sets.
  • In beginning layers à I have fun. Play. Explore. I ask, “What if?”
  • I aim to be brave. Nothing is precious; if I don’t like it, I can simply paint over it. If I don’t love something, I ask, “What’s the opposite?” and do that. Learning what I don’t love is just as important in moving my practise forward as knowing what I do love.
  • I am learning to embrace ugly.
  • Principle of differences. I always ask, “What is the opposite of…?” I use the knowledge of elements/principles to create both subtle and strong contrasts.
  • In middle layers the ‘heroes’ (or focal points that I love) will start to be revealed.
  • In end layers, I emphasize those heroes. This is what my piece is about. I ensure there is contrast, some quieter spaces.
  • I often come back to the art to look with fresher eyes after several weeks, or months.

WHAT WERE THE CHALLENGES? WHAT WAS EASY?

The process took a while to trust. Ultimately, it brings freedom to my art-making. The idea is both scary and freeing. Scary because it was a whole new way to think. Freeing because if I don’t like something, I can cover it up. My focus is on the journey. The journey is a marathon, not a sprint. When I don’t focus on the result (the finished product), I feel less anxious, and I can take more risks in my art. I have removed expectations.

Knowing when the art is finished is always a challenge for me. Having a deadline was helpful.

Also, since I had several pieces inspired by the poem, it was difficult to choose just one for submission. I decided on one for submission and there are 3 more in the series, each given the title of the last line of each stanza in Rebecca’s poem:

  1. “Life is Brief”

2. “Art is Long”

3. Submission: “Fame is in the Song”

4. “Success in the Silences”

Have you done this kind of project before? Would you do it again?

I have written poems inspired by artworks for Carnegie Gallery‘s and Tower Poetry’s annual Artwalk, and for the PoARTry this time and last time. This is my first visual art submission… ever. I am looking forward to doing it again next year!

Anything else you’d like to share?

Art is for everyone.

This is my view on art-making. Everybody IS an Artist. 1. Art is easy. 2. Practice makes better. 3. Be YOU. 4. Make Ugly Art & make mistakes. 5. Have fun. Now, go make Art, Human:)

Read my complete Art Philosophy here: Everyone IS an Artist – Speech – Everyday Art Every Day

More Nicola:

https://www.instagram.com/everydayart.every.day/

 

SIZE OF THE PIECE. HOW IS IT MOUNTED?  PRICE IF FOR SALE. WHERE IS IT AVAILABLE ?

Framed 22″ x 18″

Artwork size 14″ x 11″

* Contact nicolaschneiderisawesome@gmail.com

 

WE HOPE YOU HAVE ENJOYED THIS THIRD DANCE OF POETRY AND VISUAL ART.

ARTISTS, there are poems still available to choose from and time to get in on the project… https://towerpoetry.ca/po-art-ry-poems/

POETS, stay tuned… we will open up submissions towards the end of 2023. As for what will happen with PoARTry, we don’t know.

This is an organic project, and we are thinking of a possible exhibit or publication. Who knows?! What we do know is that we have a lot of exciting work by talented poets and artists to share with you each month!

 

DID YOU KNOW?     YOU CAN POP OVER TO OUR TOWER POETRY FACEBOOK GROUP FOR DISCUSSION!

 

 

NaPoWriMo is coming!

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Have you ever NaPoWriMo-ed before??

What?    30 poems in 30 days

NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April. Details here: https://www.napowrimo.net/about/

https://www.napowrimo.net/ posts an optional daily prompt to help you get inspired, features a different participant each day, as well as a daily poetry-related resource.

Here is an interesting teaser: https://www.napowrimo.net/napowrimo-glopowrimo-is-on-the-way/ I particularly love the second online prompt generator… Is generator (a) or (b) your style?? Maybe our choice says something about who each of us is as an artist, a human,… or, maybe it means nothing at all😊 And, the Eater of Meaning sucked me down the rabbit whole for a few many moments…

… Anyway, back to it…

My NaPoWriMo Experience…

I have dabbled with NaPowriMo for 10 years (2013, really?! Wow — Happy 10 years to me!). Have I ever managed a poem a day?… Well, only once in April 2020, the first official month of COVID, and I suspect many folks were actually able to do this one. What else were we doing?! Plus, there was no better way to deal with the turmoil of those crazy times. Sometimes, when April has been too busy, I’ve done another random month, like Poetember in 2018. I have always started NaPoWriMo all bright-eyed and bushy-tailed but sometimes I don’t make it further than that (I’m looking at you, 2019!). Usually, I make it through about half a month. I’ve learned to go with the flow. If not writing an actual poem each day, I might work on editing, or pairing an old poem with media, or doing Word Work activities (like Wordle). So, more accurately, I aim to spend at least 30 minutes on poetry work for 30 days. (In a perfect world, I do that already, but lets just say, I use Poetry Month as a much-needed poetry push in the right direction😊)

** If you feel like sharing your poems and prompts, you can do so in the TPS Facebook Group directly, or drop a link to your personal post. I, for example, often post to my site: https://www.everydayarteveryday.com/iblog.

Other resources/prompts…

Happy Writing, from the TPS Web Coordinator!

Tuesday, March 21st/2023 – World Poetry Day

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Poetry can change the way people view the world, inspire others, and mend the bonds between people and create harmony with one another.

However, poetry to many can be considered a dying art in a world filled with technology and more advanced ways of conveying messages of art and beauty.

World Poetry Day aims to appreciate the sentiment that poetry can create, forming meaningful relationships and expand one’s mind about history and cultures.

Learn about World Poetry Day

World Poetry Day takes place every year to promote the teaching of poetry, as well as the publishing, writing, and reading of this form of writing around the world. It was declared by UNESCO in 1999 and they stated that their purpose for creating this day was:

“with the aim of supporting linguistic diversity through poetic expression and increasing the opportunity for endangered languages to be heard”

They also stated in their original declaration that World Poetry Day was about giving fresh impetus and recognition to international, regional, and national poetry movements.

All in all, this is a day that is designed to inspire and educate, as well as giving poets all around the world recognition for their creative brilliance!

History of World Poetry Day

World Poetry Day was conceived during the 30th General Conference in Paris in 1999. Those at the conference had the ambition to support the growth of linguistic diversity through poetics and help in increasing awareness of endangered and dying so they can be heard.

World Poetry Day also honors poets, revives the practice of poetry recitals, and promotes poetry as a form of art that connects people to their humanity. With generations upon generations of poets and time periods to choose from, poetry can gain insight into the ideas and feelings of that time.

By also attending poetry recitals, people can experience the languages that words and emotions are spoken through and experience emotional bonds with others.

World Poetry Day is hosted by the United Nations Educational Scientific and Cultural Organization, a subsection of the United Nations that promotes the advancement of culture through effort, communication, and passion.

World Poetry Day is annually celebrated by schools, organizations, libraries, and publishers all over the globe through teaching about poets, styles of poetry, and the languages that they’re read through.

Throughout the day, people host festivals, talk about their favorite poets and learn about the different ways that poetry can be written and spoken. UNESCO also offers social media kits and other resources to help those around the world learn about how to read poetry and understand its meaning in day to day life.

How to celebrate World Poetry Day

Celebrate World Poetry Day by reading some poetry. Look up poets such as Sylvia Plath, John Keats, William Wordsworth, and Ezra Pound. If you want to learn more about poets out there, then attend a college class on poetry, or head on over to a spoken word event to catch up on the latest poets on the stage.

There are lots of other exciting ways that you can celebrate World Poetry Day. Rather than reading a poem, why not watch a poetry reading? Thanks to the likes of YouTube, we have access to all sorts of videos today, and so it should not be difficult to find a poetry reading that interests you. The live recital of a poem, especially from the author who has written it, is extremely powerful. It takes the depth of meaning of the words to a whole other level. We would recommend taking a look at readings from the likes of Hera Lindsay Bird and Jay Bernard. They’re pretty incredible!

If you have children, World Poetry Day is the perfect opportunity for you to increase their awareness of this literary form and show them how fun and exciting poetry can be. After all, not all poems are serious! Poems can make us laugh, especially those that use clever wordplay and puns.

You can find lots of great books of poems that have been specifically designed for children. We would recommend Roger McGough’s Poetry Pie, which features more than 50 poems that will make your child laugh. Other good options include Cat Among the Pigeons by Kit Wright and Gargling with Jelly by Brian Patten.

If World Poetry Day has got you feeling inspired, why not write your own poem? You don’t need to be the next Shakespeare to enjoy writing poetry! Whether you decide to share it with other people or keep your poems to yourself is entirely up to you. If you’re feeling at a loss, don’t worry. It can seem a bit overwhelming if you have never written a poem before! It is always good to start with a goal in mind. What are you hoping to achieve by writing the poem?

Some other types include communicating your theme, using concrete words rather than abstract words, using similes and metaphors, using images, and avoiding sentimentality and cliches. You will find lots of interesting books and videos online about writing poems, so you can look up some of these to help you. There is no right or wrong way to write a poem or to begin the process, it is all about finding what works for you, and so it can definitely help to listen to some of the different methods that people use.

Find your favorite poet and share them on social media using the hashtag #WorldPoetryDay. Let your friends and family know today’s a day to appreciate language and the way we communicate with one another.

Source: World Poetry Day (March 21st) | Days Of The Year

 

Check out my other Blogs for Poetry Prompts:

Everyday Art Every Day Prompts — Write Like Your Fav Poet: World Poetry Day – Tuesday, March 21st, 2023 – Everyday Art Every Day

World Poetry Day — Tuesday, March 21st – Nicola Schneider, OCT – a spot of reflection (weebly.com) for an “I am Music” poetry prompt…